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THREE:One symptom of this reaction was the fashionable archaism of the Augustan age, the tendency to despise whatever was new in literature, and to exalt whatever was old. It is well known how feelingly Horace complains of a movement which was used to damage his own reputation as a poet;309 but what seems to have escaped observation is, that this protest against the literary archaism of his contemporaries is only one symptom of a much profounder division between his philosophy and theirs. He was just as good a patriot as they were, but his sympathies were with the Hellenising aristocracy to which Lucretius and Cicero had belonged, not with the narrow-minded conservatism of the middle classes and the country people. He was a man of progress and free-thought, who accepted the empire for what it might be worth, a Roman Prosper Merim��e or Sainte-Beuve, whose preference of order to anarchy did not involve any respect for superstitious beliefs simply because they were supported by authority. And this healthy common sense is so much a part of his character, that he sometimes gives his mistresses the benefit of it, warning Leuconoe against the Babylonian soothsayers, and telling202 Phidyle that the gods should be approached not only with sacrifices but with clean hands.310 Yet so strong was the spirit of the age, that the sceptical poet occasionally feels himself obliged to second or to applaud the work of restoration undertaken by Augustus, and to augur from it, with more or less sincerity, a reformation in private life.311 And even the frivolous Ovid may be supposed to have had the same object in view when composing his Fasti.

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THREE:��Oh, I think he��s all right,�� argued Larry.V.

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THREE:"Better than the��other things?" she asked, and he answered, unhesitating, "Yes."It is, at any rate, certain that the successors of Aenesid��mus adhered to the standpoint of Pyrrho. One of them, Agrippa, both simplified and strengthened the arguments of the school by reducing the ten Tropes to five. The earlier objections to human certainty were summed up under two heads: the irreconcilable conflict of opinions on all subjects; and the essential relativity of consciousness, in which the percipient and the perceived are so intimately united that what things in themselves are cannot possibly be discovered. The other three Tropes relate to the baselessness of reasoning. They were evidently suggested by Aristotle��s remarks on the subject. The process of proof cannot be carried backwards ad infinitum, nor can it legitimately revolve in a circle. Thus much had already been admitted, or rather insisted on by the great founder of logic. But the Sceptics could not agree to Aristotle��s contention, that demonstration may be based on first principles of self-evident certainty. They here fell back on their main argument; that the absence of general agreement on every point is fatal to the existence of such pretended axioms. A still further simplification was effected by the reduction of the five Tropes to two��that all reasoning rests on intuition, and that men��s intuitions are irreconcilably at variance with one another.300 As against true science, the sceptical Tropes are powerless, for the validity of its principles has nothing to do189 with their general acceptance. They are laid before the learner for his instruction, and if he chooses to regard them as either false or doubtful, the misfortune will be his and not theirs. But as against all attempts to constrain belief by an appeal to authority, the Tropes still remain invincible. Whether the testimony invoked be that of ancient traditions or of a supposed inward witness, there is always the same fatal objection that other traditions and other inward witnesses tell quite a different story. The task of deciding between them must, after all, be handed over to an impersonal reason. In other words, each individual must judge for himself and at his own risk, just as he does in questions of physical science.

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